Russ George knew how to fight global warming: Grow rainforests' worth of plantlife in the open ocean, plantlife that would suck carbon dioxide from the atmosphere. He had the boat, the money and the team to make it happen. Everything was going according to plan—that is, until the environmentalists mobilized.
The environmentalists are irrelevant. It's not surprising that they're against it, reducing the amount of CO2 in the atmosphere isn't in their game plan. They and their Democratic allies' goals are more political than that. What bothers me about this is the potential to suck too much CO2 from the atmosphere. I'm not worried about having too much, it's a trace gas (70 ppm or so) and doesn't affect our global temperature anyway. If this little manifestation of environmental fanaticism runs amok, our crops and forests will suffocate from lack of CO2.
A jazz singer shocked some Denver residents after replacing the words to the national anthem with those of the "Black National Anthem" during the annual State of the City address this week.
Rene Marie was asked to sing "The Star-Spangled Banner" before Denver Mayor John Hickenlooper delivered the annual address on Tuesday. Instead, she sang the lyrics of "Lift Every Voice and Sing" — a hymn commonly referred to as the "Black National Anthem" — to the tune of the national anthem, MyFOXColorado.com reported.
Why'd she lie about what song she was going to sing? Is she not proud?
MEYRIN, Switzerland (AP) -- The most powerful atom-smasher ever built could make some bizarre discoveries, such as invisible matter or extra dimensions in space, after it is switched on in August.
But some critics fear the Large Hadron Collider could exceed physicists' wildest conjectures: Will it spawn a black hole that could swallow Earth?
Or spit out particles that could turn the planet into a hot dead clump?
I remember people who thought if you had sound with movies it would make you insane, or if you went past the speed of sound you would pop into an alternate universe (or something). Ok, I don't really remember those people, but I'm glad we didn't listen to them. If we had, we'd never have masterpieces like "An Inconvenient Truth" or such technological marvels as the ICBM.
On July 5, 1946, French designer Louis Reard unveils a daring two-piece swimsuit at the Piscine Molitor, a popular swimming pool in Paris. Parisian showgirl Micheline Bernardini modeled the new fashion, which Reard dubbed "bikini," inspired by a news-making U.S. atomic test that took place off the Bikini Atoll in the Pacific Ocean earlier that week.
European women first began wearing two-piece bathing suits that consisted of a halter top and shorts in the 1930s, but only a sliver of the midriff was revealed and the navel was vigilantly covered. In the United States, the modest two-piece made its appearance during World War II, when wartime rationing of fabric saw the removal of the skirt panel and other superfluous material. Meanwhile, in Europe, fortified coastlines and Allied invasions curtailed beach life during the war, and swimsuit development, like everything else non-military, came to a standstill.
In 1946, Western Europeans joyously greeted the first war-free summer in years, and French designers came up with fashions to match the liberated mood of the people. Two French designers, Jacques Heim and Louis Reard, developed competing prototypes of the bikini. Heim called his the "atom" and advertised it as "the world's smallest bathing suit." Reard's swimsuit, which was basically a bra top and two inverted triangles of cloth connected by string, was in fact significantly smaller. Made out of a scant 30 inches of fabric, Reard promoted his creation as "smaller than the world's smallest bathing suit." Reard called his creation the bikini, named after the Bikini Atoll.
In planning the debut of his new swimsuit, Reard had trouble finding a professional model who would deign to wear the scandalously skimpy two-piece. So he turned to Micheline Bernardini, an exotic dancer at the Casino de Paris, who had no qualms about appearing nearly nude in public. As an allusion to the headlines that he knew his swimsuit would generate, he printed newspaper type across the suit that Bernardini modeled on July 5 at the Piscine Molitor. The bikini was a hit, especially among men, and Bernardini received some 50,000 fan letters.
Before long, bold young women in bikinis were causing a sensation along the Mediterranean coast. Spain and Italy passed measures prohibiting bikinis on public beaches but later capitulated to the changing times when the swimsuit grew into a mainstay of European beaches in the 1950s. Reard's business soared, and in advertisements he kept the bikini mystique alive by declaring that a two-piece suit wasn't a genuine bikini "unless it could be pulled through a wedding ring."
In prudish America, the bikini was successfully resisted until the early 1960s, when a new emphasis on youthful liberation brought the swimsuit en masse to U.S. beaches. It was immortalized by the pop singer Brian Hyland, who sang "Itsy Bitsy Teenie Weenie Yellow Polka-Dot Bikini" in 1960, by the teenage "beach blanket" movies of Annette Funicello and Frankie Avalon, and by the California surfing culture celebrated by rock groups like the Beach Boys. Since then, the popularity of the bikini has only continued to grow.
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